The photograph is a large format black and white print, showcasing a dimly lit, cavernous gallery space. The exhibition consists solely of portraits—hundreds of them, spanning decades, meticulously arranged along whitewashed brick walls. Dust motes hang in the shafts of light filtering from unseen windows high above, illuminating patches of the faces within the frames. The central focus is on a cluster of portraits depicting ‘Sandro’, seemingly the artist himself, aging visibly across the years. The earliest Sandro appears as a young man, full of youthful exuberance, his eyes sparkling with ambition. Later portraits reveal lines etched by time and experience, a quiet contemplation replacing youthful fire. Interspersed amongst these are portraits of ‘Tilda Swinton’, an enigmatic figure who recurs throughout the exhibition—sometimes as a young muse, later as a dignified elder. Her presence spans the decades, suggesting a lasting partnership, both professional and perhaps personal with Sandro. Her expressions shift subtly across the series - from playful mischief to profound understanding. The lighting is crucial: it's predominantly low, creating deep shadows that emphasize texture and mood. A single spotlight highlights one of the later portraits of Tilda, casting her face in a halo of light – an almost spiritual quality. A handwritten plaque near the portrait cluster reads: 'A Life Documented: Portraits by Sandro Kopp.' Smaller plaques beside individual portraits identify the subjects—a diverse group of individuals who were contributors to Sandro’s artistic journey. We see evidence of oneonone sittings, evident in a few slightly blurred photos and candid poses. The overall mood is melancholic but beautiful – a meditation on time, relationships, and the enduring power of art. The composition draws the eye from the youngest Sandro portrait to the oldest, following his evolution alongside Tilda's.