The photograph captures a dimly lit, cavernous exhibition space within an old industrial building. The walls are exposed brick, painted with faded patches of what appear to be original signage from decades past. Dust motes dance in the single shaft of light piercing through a high, arched window – this light illuminates a central display consisting of large-format portraits arranged chronologically along a long wall. These aren't traditional portraits; they are intimate, almost raw depictions, rendered in black and white with a grainy texture suggestive of vintage film. The portraits span roughly thirty years, beginning in the 1990s and extending to the present day. They document Sandro Kopp’s ongoing project focusing on his partner, Tilda Swinton, as she navigates her career and personal life. The early portraits show a younger Tilda, full of nervous energy and ambition; later ones reveal a quiet confidence and weariness that speaks of enduring fame. The exhibition itself is titled 'Lasting Impressions,' and it’s clear Kopp's work isn't just about documenting a person but exploring the passage of time and its impact on identity. Small handwritten notes, almost like preliminary sketches or thoughts, are pinned beneath some portraits – these offer snippets of Kopp's process and reveal his role as both photographer and confidante. A single velvet rope guides visitors along the wall. In the foreground, slightly out of focus, is a lone figure - an elderly woman with silver hair, seemingly lost in contemplation, gazing at one of the later portraits. She looks like a significant contributor to the project or perhaps someone deeply connected to Tilda's life. The overall mood is melancholic and reflective; it’s less about celebrity and more about the enduring power of human connection and the weight of years lived. The lighting is predominantly low, with the single shaft of light acting as a dramatic spotlight. Shadows are long and deep, contributing to the sense of history and introspection. The graininess of the prints reinforces the feeling that these are authentic documents – imperfect yet profoundly moving.