The photograph depicts Linda, a woman in her late twenties with melancholic eyes and long, flowing dark hair partially obscuring her face. She stands within an abandoned Portuguese fishing village clinging precariously to a rocky coastline. The buildings are weathered and crumbling, painted in faded pastel hues of blue, pink, and ochre, hinting at past vibrancy now lost to time. The air is thick with the scent of salt and decay. The lighting is soft and diffused, originating from an overcast sky that casts a muted grey light over everything - no harsh shadows, only a pervasive sense of quietness. Linda wears a simple linen dress, its color mirroring the pale blue of the sea visible in the distance. She holds a small, antique wooden box close to her chest; its surface is worn smooth with age and use. Her posture suggests both vulnerability and resilience—a slight slump in her shoulders combined with a firm grip on the box. The focus is sharply on Linda’s face and hands, blurring slightly the background details which emphasize the feeling of isolation. Scattered around her feet are remnants of lives lived – broken pottery shards, faded photographs partially submerged in sand, hinting at memories lost and stories untold. The overall mood is one of profound *saudade*, a Portuguese word for a deep emotional state of nostalgic or deeply felt longing - a yearning for something that is gone or unattainable. There’s a sense that she's not necessarily grieving a specific loss, but rather the ephemeral nature of existence itself, a quiet acceptance mixed with a faint undercurrent of sorrow. The feeling evoked is one of bittersweet beauty and poignant remembrance—a visual embodiment of 'our', 'loved', 'feeling,' and 'dying'.