The photograph depicts a hidden entrance to an ephemeral art installation within the frenetic atmosphere of Frieze Art Fair in London. The setting is a dimly lit corridor seemingly carved into a brick wall, subtly hinting at a subterranean space. The walls themselves are covered in a chaotic frieze - fragments of Mexican folk art alongside contemporary digital projections and shimmering gossamer fabrics that seem to defy gravity. The 'entrance' itself isn’t obvious; it’s suggested by an ornate antique key resting on a weathered stone pedestal, partially obscured by scattered materials – snippets of canvas, metallic threads, and small clay figurines. A single spotlight illuminates the key, casting long shadows and highlighting its intricate design - possibly related to a project by Sebastian Soto or inspired by his work. A figure, 'Martin,' is barely visible in the background, seemingly hesitant, dressed in black tights and a dark coat, his back turned towards the camera. He represents the viewer's own uncertainty and anticipation of what lies beyond. The lighting is low-key, predominantly cool blues and greens, punctuated by warm golds from the spotlight on the key. The mood is one of mystery, intrigue, and slightly melancholic discovery – a sense that something precious and fleeting is about to be revealed. The overall feel is like stumbling upon a secret, a hidden pocket of creativity within the bustling fair, a transformative moment for those who dare to look closer. A faint scent of clay and old paper hangs in the air. The 'climents' (elements) of chaos and order are deliberately juxtaposed - the precise key versus the wild frieze – creating visual tension.